“You make a film to learn a little bit about life and to have an adventure of your own. But little do you ever realize what’s actually in store for you.”
That’s but one of many sentiments and insights shared by my good friend and cycling partner Chris Szwedo in the above film, The Making of Eye on the Sixties, about the documentary he recently wrote and directed examining the work and career of photographer Roland Scherman.
This short captures Chris talking about the experience of crafting the full-length film. It’s a 12-minute narrative on photography, filmmaking, storytelling, creativity, fund raising and shoe-string budgets. But perhaps more importantly it’s a story about determination and a passion to create.
Two summers ago, Chris, an independent filmmaker, a lover of photography, and a child of the 60s himself, met the legendary Life photographer Roland Scherman (Bob Dylan, John Lennon, Woodstock, the March on Washington, etc.) after discovering his work in a tiny gallery in Orleans, MA.
As I recall him telling me, the images were remarkable. Arthur Ashe before his US Open wins. Bobby Kennedy on the campaign trail. Judy Collins and Joni Mitchell in a tree house strumming guitar and singing a duet. Bob Dylan, back lit and silhouetted, playing the harmonica.
Chris didn’t know Roland, but instantly understood that there had to be a story behind the man who’d created such iconic images. He decided then and there he’d make a film about the aging photographer. He tracked Roland down, introduced himself, convinced (not easy) the cantankerous photographer to cooperate and then endured, and grew to enjoy, their many road trips back in time – to the Washington Mall, to Woodstock, to Newport. He funded the film with a little bit of help from Kickstarter and good hunk of his own money. Then spend the better part of two years writing, filming, editing and narrating the production. He even composed and performed the music.
Though audiences welcome the film with both praise and enthusiasm when it plays in theaters, Eye on the Sixties may never be a mainstream documentary. It may never get to HBO or win big at the festivals. But that’s not why Chris made it. He made it because he had to make it. Because the story needed telling. Because the subject captured his imagination. Because it’s always more rewarding to make something for yourself than for a paying client.
Hope you enjoy this clip – it’s wonderfully written and reveals the director’s feelings and motivations. And if you get the chance, keep an eye open for the full length film.